SUPPORT: 403.567.0676
Product Highlights:
This 14x2x1 mixer includes Mackie’s new XDR (eXtended Dynamic Range) mic preamps with sound quality matching or exceeding the performance of $500 to $2000-per-channel esoteric preamps.
Features
Ultra-low noise, highest headroom in its class
6 new precision-engineered XDR Extended Dynamic Range premium studio-grade mic preamps with:
-Ultra-wide 0-60dB gain range
-130dB dynamic range for 24-bit, 192kHz sampling rate inputs
-+22dBu line input handling
-Distortion under 0.0007% (20Hz-20kHz)
Advanced DC-pulse transformer RF rejection
60mm long-wearing log-taper faders
14 line inputs (6 mono, 4 stereo pairs)
Separate RCA-type tape/CD inputs and tape outputs (unbalanced)
2 aux sends with 15dB of gain above Unity
Aux 1 pre/post
Constant-loudness pan pots
Switchable AFL/PFL Solo
2 stereo aux returns with EFX to Monitor switch
Aux 1 master with Monitor/Post assign switch
3-band active EQ (80Hz, 2.5kHz, 12kHz)
18dB/oct. 75Hz Lo Cut filter eliminates stage rumble, wind noise, P-pops, and low frequency recording studio room resonances
Extra ALT 3-4 stereo bus for submixes, separate recording, monitor, and “mix minus” feeds
Control Room/Phones multi-input source matrix
Phantom power for premium condenser mics
Rugged steel chassis, sealed rotary controls
Built-in power supply – no wall wart!
Features
Ultra-low noise, highest headroom in its class
6 new precision-engineered XDR Extended Dynamic Range premium studio-grade mic preamps with:
-Ultra-wide 0-60dB gain range
-130dB dynamic range for 24-bit, 192kHz sampling rate inputs
-+22dBu line input handling
-Distortion under 0.0007% (20Hz-20kHz)
Advanced DC-pulse transformer RF rejection
60mm long-wearing log-taper faders
14 line inputs (6 mono, 4 stereo pairs)
Separate RCA-type tape/CD inputs and tape outputs (unbalanced)
2 aux sends with 15dB of gain above Unity
Aux 1 pre/post
Constant-loudness pan pots
Switchable AFL/PFL Solo
2 stereo aux returns with EFX to Monitor switch
Aux 1 master with Monitor/Post assign switch
3-band active EQ (80Hz, 2.5kHz, 12kHz)
18dB/oct. 75Hz Lo Cut filter eliminates stage rumble, wind noise, P-pops, and low frequency recording studio room resonances
Extra ALT 3-4 stereo bus for submixes, separate recording, monitor, and “mix minus” feeds
Control Room/Phones multi-input source matrix
Phantom power for premium condenser mics
Rugged steel chassis, sealed rotary controls
Built-in power supply – no wall wart!
Main Mix Noise
20Hz-20kHz bandwidth, 1/4 in. Main out, channels 1-6 Trim @ unity gain, channel EQs flat, all channels assigned to Main Mix, channels 1 and 3 Pan left, 2 and 4 Pan right
Main Mix fader down, channel faders down: -100dBu
Main Mix fader unity, channel faders down: (90dB Signal-to-Noise Ratio, ref +4dBu) -86.5dBu
Main Mix fader @ unity, channel faders @ unity: -84.5dBu
Total Harmonic Distortion (THD)
1kHz @ +14dBu: 20Hz-20kHz
Mic in to Main out: 0.0007%
Attenuation (Crosstalk)
1kHz relative to 0dBu, 20Hz-20kHz bandwidth, Line in, 1/4 in. Main Out, Trim @ unity
Main fader down: -85dBu
Channel Alt/Mute switch engaged: -84dBu
Channel fader down: -83dBu
Frequency Response
Mic input to any output
20Hz to 60kHz: +0dB/-1dB
10Hz to 100kHz: +0dB/-3dB
Equivalent Input Noise (EIN)
Mic in to insert Send out, max gain
150-ohm termination: -129.5dBm unweighted
Common Mode Rejection (CMR)
Mic in to insert Send out, max gain
1kHz: better than 90dB
Maximum Levels
Mic In: +22dBu
Tape In: +16dBu
All other inputs: +22dBu
Main Mix XLR outputs: +28dBu
All other outputs: +22dBu
Impedances
Mic In: 1.3 kilohms
Channel Insert return: 2.5 kilohms
All other inputs: 10 kilohms or greater
Tape out: 1.1 kilohms
All other outputs: 120 ohms
EQ
High Shelving: �15db @ 12kHz
Mid Peaking: �12dB @ 2.5kHz
Low Shelving: �15db @ 80Hz
Power Consumption
120VA.C., 50/60Hz, 25 watts
Fuse Ratings
120V: 0.5A Slo Blo, 5 x 20mm
220-240V: 0.25A Slo Blo, 5 x 20mm
Weight
9.5 lbs. (4.5 kg)
Model: AUYA06
Model: RAMOCD